Himeru | Veiled - Melody Emi Brunton
By Melody Emi Brunton - ‘Himeru | Veiled
H 18 x W 12 cm
High fired stoneware finished with a dusk glaze and oxide washes.
This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.
Some words from the Artist on this piece;
秘める(himeru) I have come to realise that a lot of my practice tries to encapsulate an essence of fluidity and motion through a static vessel. The workshopping of oxide washes layered over my glazes has helped capture the movement that occurs in the kiln during the final firing. The glaze becomes molten and melts, moves and fuses onto the clay as it cools down. It reveals the unseen processes that go into making a vessel.
By Melody Emi Brunton - ‘Himeru | Veiled
H 18 x W 12 cm
High fired stoneware finished with a dusk glaze and oxide washes.
This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.
Some words from the Artist on this piece;
秘める(himeru) I have come to realise that a lot of my practice tries to encapsulate an essence of fluidity and motion through a static vessel. The workshopping of oxide washes layered over my glazes has helped capture the movement that occurs in the kiln during the final firing. The glaze becomes molten and melts, moves and fuses onto the clay as it cools down. It reveals the unseen processes that go into making a vessel.
By Melody Emi Brunton - ‘Himeru | Veiled
H 18 x W 12 cm
High fired stoneware finished with a dusk glaze and oxide washes.
This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.
Some words from the Artist on this piece;
秘める(himeru) I have come to realise that a lot of my practice tries to encapsulate an essence of fluidity and motion through a static vessel. The workshopping of oxide washes layered over my glazes has helped capture the movement that occurs in the kiln during the final firing. The glaze becomes molten and melts, moves and fuses onto the clay as it cools down. It reveals the unseen processes that go into making a vessel.
