‘Yojin | Embers’ - Melody Emi Brunton
By Melody Emi Brunton - ‘Yojin | Embers’
H 18 x W 18 cm
High Fired Stoneware with a Matte White Glaze finish and Ash Glaze over the top
This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.
Some words from the Artist on this piece;
余燼 (yojin), The ash for this glaze was collected in the winter of 2023 from residents of the Southern Highlands. It came in response to a post in a community group, allowing me to meet a beautiful cross-section of people—a now-retired potter, a family whose son was also half-Japanese and other local families The ash isn't from a single source but a mélange of random remains: odd pieces of cardboard, stray timber, and foliage from various gardens.
By Melody Emi Brunton - ‘Yojin | Embers’
H 18 x W 18 cm
High Fired Stoneware with a Matte White Glaze finish and Ash Glaze over the top
This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.
Some words from the Artist on this piece;
余燼 (yojin), The ash for this glaze was collected in the winter of 2023 from residents of the Southern Highlands. It came in response to a post in a community group, allowing me to meet a beautiful cross-section of people—a now-retired potter, a family whose son was also half-Japanese and other local families The ash isn't from a single source but a mélange of random remains: odd pieces of cardboard, stray timber, and foliage from various gardens.
By Melody Emi Brunton - ‘Yojin | Embers’
H 18 x W 18 cm
High Fired Stoneware with a Matte White Glaze finish and Ash Glaze over the top
This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.
Some words from the Artist on this piece;
余燼 (yojin), The ash for this glaze was collected in the winter of 2023 from residents of the Southern Highlands. It came in response to a post in a community group, allowing me to meet a beautiful cross-section of people—a now-retired potter, a family whose son was also half-Japanese and other local families The ash isn't from a single source but a mélange of random remains: odd pieces of cardboard, stray timber, and foliage from various gardens.
