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MAY 2025 | Tom Butterworth Solo Exhibition
APRIL 2025 | 'Sense Of Self' Group Exhibtion
Offsite Exhibition | Skittle Lane x Kane Lehanneur x HAKE House
MARCH 2025 | 'Common Ground' Third Birthday Group Exhibition
FEB 2025 | Jordana Henry Solo Exhibition
JAN 2025 | HAKE Hang
DEC 2024 | Staff Selects
NOV 2024 | 'Soft Refractions' Group Exhibition
Joy Kinna | Solo Exhibition
Marcie O'Neill | Solo Exhibition
Exhibition Schedule
Back
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  • - Art - P - Konseki Remnant Melody Emi Brunton
All Art ‘Konseki | Remnant’ - Melody Emi Brunton
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‘Konseki | Remnant’ - Melody Emi Brunton

$1,200.00

By Melody Emi Brunton - ‘Konseki | Remnant’

H 19 x W 12.5 cm

High fired stoneware finished with a blue grey glaze. Accented by oxide washes and oyster shell markings

This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.

Some words from the Artist on this piece;

痕跡 (konseki), The journey of understanding the elemental makeup of the ceramics process has deeply informed my practice. One fascination has been the use of shells as kiln props, particularly in wood-fired kilns, to prevent vessels from sticking to the kiln shelf. The shell’s composition of calcium carbonate allows it to break down into a powder at high temperatures, which prevents it from adhering to the clay. However, it can react with silica in the clay, creating a subtle glaze effect where the shell once rested. I appreciate this echo of the shell—its presence fossilised into the vessel, leaving behind a trace of what once was.

Add To Cart

By Melody Emi Brunton - ‘Konseki | Remnant’

H 19 x W 12.5 cm

High fired stoneware finished with a blue grey glaze. Accented by oxide washes and oyster shell markings

This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.

Some words from the Artist on this piece;

痕跡 (konseki), The journey of understanding the elemental makeup of the ceramics process has deeply informed my practice. One fascination has been the use of shells as kiln props, particularly in wood-fired kilns, to prevent vessels from sticking to the kiln shelf. The shell’s composition of calcium carbonate allows it to break down into a powder at high temperatures, which prevents it from adhering to the clay. However, it can react with silica in the clay, creating a subtle glaze effect where the shell once rested. I appreciate this echo of the shell—its presence fossilised into the vessel, leaving behind a trace of what once was.

By Melody Emi Brunton - ‘Konseki | Remnant’

H 19 x W 12.5 cm

High fired stoneware finished with a blue grey glaze. Accented by oxide washes and oyster shell markings

This piece is an original by Melody created across 2024 and 2025. Please find shipping information for this piece, or please enquire here.

Some words from the Artist on this piece;

痕跡 (konseki), The journey of understanding the elemental makeup of the ceramics process has deeply informed my practice. One fascination has been the use of shells as kiln props, particularly in wood-fired kilns, to prevent vessels from sticking to the kiln shelf. The shell’s composition of calcium carbonate allows it to break down into a powder at high temperatures, which prevents it from adhering to the clay. However, it can react with silica in the clay, creating a subtle glaze effect where the shell once rested. I appreciate this echo of the shell—its presence fossilised into the vessel, leaving behind a trace of what once was.

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